Justice League Snyder Cut has to – let’s face it – clear a very, very low band. The original Justice League released in theaters at the end of 2017 and it was a disaster for various reasons. He had a harrowing production, like Warner Bros. grazed the DC film like a hawk, thanks to the negative fan reception for director Zach Snyder’s previous epic and his immediate predecessor, Batman vs. Superman: Dawn of Justice. And due to the requirements of the studio (calculated by the World Bank Justice League had to be under two hours) and death in the family, Snyder chose to retreat deep into the production after losing his will to fight. The Avengers screenwriter-director Joss Whedon, who was hired to rewrite, then took over the film and headed extensive and expensive rewriting – the final budget was $ 300 million (about Rs 2,182) – which would bring it into line with the studio. desires.
But Wheden failed. Justice League it was a tonal, structural, and narrative mess — practically on every decisive front you can think of. Warner Bros. he himself was largely to blame for the failure. There was simply no way for any director to cram it all in – to introduce three new superheroes and expand those we know, to follow a plot that ends with a disgusting appearance, and to infuse humor into a gloomy tale of demigods and immortal beings – about 120 minutes. Justice Leagueessentially trying to do Iron Man,, The Incredible Hulk,, tor,, Captain America: The first avenger, and The Avengers all in one movie. That sounds impossible and stupid on paper – and that was it. Not strange Justice League failed both critically and commercially.
Now more than three years later, thanks to a special #ReleaseTheSnyderCut fan campaign and little known HBO Max streaming service, thirsty for eyeballs, Snyder presents its original vision for DC epic. As a result, Zack Snyder’s Justice League – as it is officially called – is nearly four hours (3 hours and 53 minutes to be exact, without credits). Calling it too long can be an understatement. It is so long that some symbols are entered only after the first hour, while others do not appear until we pass the two-hour sign. It’s so long that the film’s epilogue takes half an hour, including a number of “finals,” which seem to suggest that Snyder puts everything he had on the wall. Justice League Snyder Cut is definitely condescending. But Snyder knows that he now has complete creative freedom, so he did exactly what he wanted, without hesitation.
And that’s why Snyder doesn’t bother to cut out parts that are completely unnecessary now. Justice League Snyder Cut “introduces” us to Arthur Curry / Aquaman (Jason Momoa) and Atlantis, as if we never knew them. That was true when Snyder originally did Justice League, but we have since received Aquaman movie. A sequence of actions exists only for the demonstration of Diana Prince / Wonder Woman’s (Gal Gadot) opportunities. Justice League Snyder Cut requires you to put yourself in mind four years ago. Parts of it will only work if you can put aside everything that happened in DC Expanded Universe from. For everyone else, there are many extra bits that could be removed. The problem is that these scenes do not add anything new to the characters we already know and love. Instead, they are stepping on the ground we have covered again.
He said that the four-hour work of Justice League Snyder Cut benefits Victor Stone / Cyborg (Ray Fisher) the most. Cyborg was among the new characters that Justice League he had to present – but his history of origin and family relations were unfortunately narrowed to the end. Here we will understand his problems with his father Silas Stone (Joe Morton) and the psychological pain of his rebirth as a cyborg after an experience near death. There is an extended introduction for Barry Allen / The lightning (Ezra Miller), which works much better than the aforementioned Wonder Woman scene because we haven’t received his solo film yet – The lightning currently due in November 2022. He also returns his future love interest to Iris West (Kirsy Clemens), from whom she was cut Justice League due to performance restrictions.
And since he works four hours, Justice League Snyder Cut can afford to spend time with those moments. The slow pace is baked from the very beginning – but the film itself is not slow, as there is something to show and tell – and it helps immediately. The scenes feel alive and organically constructed, not meeting like pistols in the race to the finish line. The extra time allows us to learn a little more about the antagonist and the main villain Steppenwolf (voiced by Ciarán Hinds) and why he is crazy to bring together the three almighty MacGuffins (called Mother Boxes), which will give him complete control over all life on Earth. The design of the Steppenwolf with CGI has been significantly improved – its bumper is made of curved spikes in steel color, protruding outwards, with shades of purple. The bumper also makes it look like it has a double-sided tail, which I found funny.
But Justice League Snyder Cut is also losing some interesting bits. On Justice League, Whedon writes in scenes that deal with how Wonder Woman avoids responsibility in the last century more or less. She didn’t want to be a leader, she told Bruce Wayne. Batman (Ben Affleck), due to fears of killing people, which gives us an idea of the character’s consciousness. But that’s nowhere in Justice League Snyder Cut, as Snyder – developing the original script for Chris Terrio (Argo) – is adamant that he won’t use any of Whedon’s material. (However, Snyder does not train a critical view of his own shortcomings, preserving the scantily clad Amazons.) Wonder Woman is an active participant in Snyder Cut’s Justice League conspiracy, but has no journey of his own – just a bunch of majestic series of stunts. This is a wasted opportunity, as it is a chapter of her life that comes after her solo films, including recent Wonder Woman 1984.
Speaking of action, Justice League Snyder Cut is most exciting in a 40-minute chapter called Part 6, “Something Darker.” The film is divided into six chapters filled with title cards. Justice League he was in such a hurry all the time that he lost you in his CGI mess when he came to his equally hasty conclusion. But here, as there is no shortage of time, even the big final battle can take time. Yes, it takes a long time to get there – nearly three hours, which, of course, is a lot – but it’s completely enjoyable. She gives each character her showcase. And Snyder can show how good he is at styling action scenes. It doesn’t feel any less epic, although it’s technically narrowed down to almost a square. Yes, that means black bars on the side, all the more reason not to watch this on your phone or laptop.
But the rest of the action in Justice League Snyder Cut fails to meet that standard. There is no suspense or intrigue in the sequences. They involve too much super slow motion. Snyder also uses too much VFX – he doesn’t want to capture even a simple outdoor scene like Amazons riding horses through pastures. And many scenes are only used to present an exhibition. There is an extended retrospective in Justice League Snyder Cut, which exists on a scale larger than The Avengers: The ultimate game. But forget to be a winning moment or to accumulate emotional impact, its only purpose is the exhibition. Wonder Woman explains what her lasso does, which is superfluous in itself and even more so, given that we have already seen him use it in two full films. The show is a constant issue for Justice League Snyder Cut, from villains talking to the public to a filthy sequel that will probably never happen.
After all, there are many plots – and in general, Justice League Snyder Cut can be scary and feel overwhelmed. And structurally, it’s still the same movie as Justice Leaguewhich means it hits most of the same big beats, which are far from special. Therefore, sometimes watching Justice League Snyder Cut is like watching a longer version of a movie you’ve already watched. It’s now more manageable and easier to follow, thanks to its division into six chapters that essentially resemble episodes. There’s the catch-up episode, Aquaman, Flash and Cyborg episode, Superman (Clark Kent) episode for resurrection and a big episode of the battle. And that strikes at the heart of the problem for Justice League, be it the original or Snyder Cut. It packs a lot more than it should. Justice League Snyder Cut is an overly ambitious weird beast from a movie aimed at a select audience.
This is the greatest proof of Snyder’s dedication. Snyder loves it DC superheroes – he has always seen them as these powerful mythological tales of god-like beings cursed with powers longing to be human. That’s why humor is so rare, as is the case with Justice League Snyder Cut. While Warner Bros. was trying to create a rival world that would go fifth to fifth with Marvel Cinematic Universe, it was Snyder who foresaw the first days of DCEU to include Justice League trilogy. It was Snyder who chose Gadot as the Wonder Woman and believed that Momoa could be Aquaman. But Snyder is not a great architect, as we have learned. The Snyder Cut Justice League exists because of Netflix somehow. HBO Max needs subscribers and the parent company WarnerMedia has clung to a populist symbol in the hope of generating good faith from it.
But this is unlikely to lead to more Justice League films, as Snyder himself admitted, calling it “very hypothetical“And something”that you will never see”. Since the failure of Justice League, Warner Bros. has abandoned his hopes and dreams for a cohesive universe of DC film. It now allows directors to tell individualized stories from the head of Joaquin Phoenix Joker, of Robert Pattinson in the forthcoming The Batman. In some ways, especially creative, this is beneficial. But Marvel’s financial success eluded DC. If Warner Bros., instead of poking its nose and making unreasonable demands for the first time, paired Snyder with a long-term visionary, then Zack Snyder’s Justice League might not have completed a giant one-off experiment, but contributed to Zack Snyder’s DCEU.